ArticlesDVD/Blu-RayReviews

‘Ran’ 4K UHD Digital Review

RATING: 5 out of 5

Editor’s Note: Our review rating is based on the film itself and the video quality available in our digital screener. Other elements (Audio/Bonus Features) are not included. Stills used in this review are not from the 4K transfer and do not represent the quality of the image.


THE SET-UP

An aging Japanese lord (Tatsuya Nakadai) attempts to pass control of his kingdom to one of his three sons, setting off a bloody power struggle that divides a family. Also stars Akira Terao, Jinpachi Nezu, and Daisuke Ryû. Directed by Akira Kurosawa.


THE DELIVERY

This 1985 masterpiece by the legendary Akira Kurosawa retells William Shakespeare’s “King Lear” as a samurai tale in 16th-century feudal Japan. It managed to score four Oscar nominations, including one for Kurosawa as Best Director, but only won one, for Best Costume Design. The Oscars that year were dominated by Sydney Pollack’s Out of Africa, but with time, Ran has managed to gain the appreciation and respect it should have garnered back then.


Elevated by an iconic performance by Tatsuya Nakadai, the film is an emotional and visual feast. Nakadai’s Lord Hidetora suffers an unceremonious fall from grace when he attempts to pass his power on to one of his three sons. Loyalties are betrayed, and past sins come back to haunt Hidetora as he tries to save his kingdom from collapse.

Ran is more than just a samurai tale or an interpretation of “King Lear.” Kurosawa explores the notion of power and loyalty through the tragic figure of Lord Hidetora, whose position on a seat of power left him unaware of the treachery that swirled around him. Although the battle scenes are visually stunning, the most powerful scenes in the film are those involving Hidetora’s realization and contemplation of the betrayals by his sons and trusted allies. They transcend the language barrier and impact the viewer on a much deeper level.

I could go on with my thoughts about Ran, but it seems redundant given the universal praise it receives. Instead, I would rather encourage those who have never seen the film to give it a watch.

If you’ve never seen Ran, don’t dismiss it as just another samurai movie. Don’t let the subtitles dissuade you either; Kurasowa’s tale is a cinematic experience that isn’t hindered by them. It’s a film wholly unlike anything we see from Hollywood today – it’s both personal and epic, the latter in a tangible sense without the use of CGI. Only a couple of composited shots feature a “special effect” – the most impressive visuals are all practical shots. Scenes are filmed with an almost unearthly eye, with a scope that will leave an impression long after the movie ends.

As an adaptation of Shakespeare’s “King Lear,” Kurasowa does The Bard proud by exploring themes of honor, betrayal, regret, and family loyalty against an epic backdrop. Indeed, while the film’s battle scenes are striking, the most indelible images are those featuring Tatsuya Nakadai’s face, as he registers regret in the realization that his kingdom is crumbling from his sons’ betrayal. It’s a haunting image.

Ran is one of those films that film fans must experience before they die, because every fan of film should understand and appreciate Kurosawa’s influence on cinema. Alongside The Hidden Fortress and Seven Samurai, Ran stands among the director’s greatest achievements. Watch it as soon as you can.

Film Score: 5 out of 5


VIDEO AND AUDIO

The film has been restored with a new 4K transfer, with color correction overseen by Shoju Ueda, one of the film’s three cinematographers and the only surviving member of the group. This is important, because this new 4K restoration shows a vast color improvement over the previous high definition release.


I should note that my 4K screener for the film was online only, which itself may not provide the full scope of the quality of the transfer. Watching a film through a streaming service is still at the mercy of your internet connection. Even under the best conditions and the fastest internet speeds, some image and audio compression will occur. A physical 4K release for the film is available in international markets, so hopefully a domestic release is in the future, and the full quality of the restoration can be appreciated.

Although I had to watch this screener on my laptop, without the ability to watch it on my 4K 65″ display, I found an obvious, marked improvement in the image, even with the limitations of streaming. I compared the new transfer to the previous transfer available on Blu-ray and streaming, and the improved color correction immediately stands out. The 4K transfer features more natural, slightly subdued colors, far better than the oversaturated, overly bright reds and yellows in the old transfer.

While the 4K transfer still features a significant grain presence, it offers far better detail, a vast improvement from the previous softer image seen in the Blu-ray release. Listings for the digital version of the film advertise Dolby Vision and an HDR10 transfer, but I could not confirm that with my screener.

The audio, a 5.1 Dolby Digital mix of the original Japanese audio, could not be reviewed through our online screener.


SPECIAL FEATURES

No special features are included with the digital version of the film.


THE BOTTOM LINE: 4K gives ‘Ran’ the technical presentation it deserves

Kurosawa’s masterpiece has never looked better on home video, with a color-corrected 4K transfer providing a stunning image. Until the United States sees a physical 4K release (with some worthy bonus features), this is a must-have addition to your digital library. The 4K transfer is a solid improvement from the previous Blu-ray release.


DIGITAL SPECS

Release Date: July 6, 2021

Running Time: 160 minutes

Rating: R

Aspect Ratio: 1.85:1

Audio: Japanese 5.1 Dolby Audio, Japanese 2.0 Dolby Audio, English 5.1 PCM Audio

Subtitles: English Translation

Label: Lionsgate

MSRP: $12.99

Please follow and like us:

Victor Medina

Vic is a former association executive who now works as an editor and writer for a number of websites. His past work includes The Dallas Morning News, Sports Illustrated, and Yahoo News. He currently writes for Cinelinx.com and is the founder and editor of RevengeOfThe5th.com, VisitOakCliff.com, and TheWeekInNerd.com.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.